Ironically enough, a big reason why The Emancipation of Mimi doesn't sound as good as those '90s albums is that Mariah never sounds like herself on this record. Disregarding these two rather sizeable problems, The Emancipation of Mimi still works, at least as a slick, highly crafted piece of dance-pop -- it might not be as hip as it thinks it is, nor is it as catchy as it should be, but it's smooth and listenable, which is enough to have it qualify as a relative comeback for "Mimi" Carey.
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Behind every iconic rapper and cult group, there is a visionary producer who learned from his predecessors and developed his own sound. Along with his former employer Miles Davis, pianist Herbie Hancock is the other founding father of jazz-fusion. In , his album "Head Hunters" laid down the Holy Scriptures of the most successful union of jazz improvisation and funk psychedelic trance. Afros and platform boots all around! Categories: All Back.
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Your browser does not support the audio element. Copy the following link to share it Copy. You are currently listening to samples. It's Like That. While the tunes aren't always memorable, it does make for a consistent album, one that's head and shoulders above the other LPs she's released in the s, even if it doesn't compare with her glory days of the '90s.
Ironically enough, a big reason why The Emancipation of Mimi doesn't sound as good as those '90s albums is that Mariah never sounds like herself on this record. Disregarding these two rather sizeable problems, The Emancipation of Mimi still works, at least as a slick, highly crafted piece of dance-pop -- it might not be as hip as it thinks it is, nor is it as catchy as it should be, but it's smooth and listenable, which is enough to have it qualify as a relative comeback for "Mimi" Carey.
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